Foreword

Sweden

The World According to Alfred E. Neuman
by Sara Arrhenius

Great Britain

Sense & Sensation
by Patricia Bickers

Bulgaria

The New Situation of the Bulgarian Art from the 1990's or Project for a Catalogue »Virtual Collection«
by Irina Genova

Japan

Reflections on the Season of Neo Dada
by Ichiro Hariu

Cuba

J. B.'s Marginalia (Six Notes)
by Orlando Hernández

Uzbekistan

Myth and Reality in the Art of Uzbekistan in the 20th Century
by Akbar Khakimov

Austria

Dr. Livingstone, I presume...
- Some Problems in Transcultural Curating
by Christian Kravagna

USA

Isolation. Wired or Chained?
Community Web Building in the Era of Global Testpadding...
by Joe Lewis

Zimbabwe

Tapfuma Gutsa:
»Man is born free but he is everywhere in chains«
by Frances Marks

Russia

Interpol - The Apology of Defeat
by Viktor Misiano

United Arab
Emirates

The Approximation of Illusion, Fantasy and Dream with the Mechanisms of Bodily Expressions
by Talal Moualla

Germany

Destructive Concepts
(zum Werk von Martin Kippenberger)
by Renate Puvogel

Puerto Rico

Puerto Rican Painting: National Realization (Affirmation)
Presence of the Three Cultural Components in the Puerto Rican National Art
by Myrna E. Rodríguez Vega

Egypt

An Introduction to the Journey of Orientalism - an Exploration of Some of the Hidden Meanings of the Orientalists' Works
by Ahmed Fouad Selim

Denmark

The Power of Enunciation
by Simon Sheikh

Barbados

Forming A Dialogue
by Allison Thompson

Norway

The Economy of the Applied Arts - Changing Standards and Other Market Fluctuations
by Åsmund Thorkildsen

Hong Kong

The Secret Artist
- is Hong Kong Art the True Underground?
by Chang Tsong-zung

Kazakstan

The Story of an Exhibition
by Laura Uzazbekova

Croatia

Perceptual Art
by Janka Vukmir